This was the last interview I conducted before the website hiatus. It is a fairly typical RadioMike interview with an exploration of influences current projects, and musical memories. Please enjoy and if you have any suggestions for musical interviews, please send them our way. I look forward to sharing new interviews with you soon, perhaps with a newer variety of questions that you can submit in addition to newer questions that I am researching.Read More
While this is the second of two shows that dates from a 2011 production date, neither was posted for anyone to play. I didn’t want to waste them since there is a lot of good music here that was submitted to the show way back then by old friends and new friends. So without further ado until I can create new shows for you all, enjoy these. And, thanks for your patience and apologies for all of those test podcast posts. All the kinks should be worked out regarding the podcasts. If you would like to submit your music or want to suggest an artist that we should know about, please get in touch.
Here’s what we’ve got this time.
- Concert Silence, Track 1 from 09.22.07
- The Prophets, Wrong House from Bi...
While this is one of two shows that dates from a 2011 production date, neither was posted for anyone to play. I didn’t want to waste them since there is a lot of good music here that was submitted to the show way back then by old friends and new friends. So without further ado until I can create new shows for you all, enjoy these. And, thanks for your patience and apologies for all of those test podcast posts. All the kinks should be worked out regarding the podcasts. If you would like to submit your music or want to suggest an artist that we should know about, please get in touch.
- Diane Cluck, Love Me If Ye Do from Countless Times
- Kirsten DeHaan, The Night Shift from Thorns On A Cr...
The Waco Brothers
Going Down in History
Bloodshot Records, 2016
If I am not mistaken the last Waco Brothers album was years ago. Having seen them live at a few Bloodshot BBQs, nothing seems to have changed but the seasoning has, perhaps become stronger.
“DIYBYOB” opens the album, declaring that “this is the first track from the last album,” perhaps as an obscure homage to Cheap Trick’s Live at Budakhan or the Beatles’ Live at the Hollywood Bowl, but I may be stretching things a bit. There are hints at apathy, DIY, and going on with existing, rather than living, and an election season filled with circus antics that are probably no worse than what we’ve seen in the past. This may be the closest they have ever come to a stereotypical country song.Read More
Bloodshot Records, 2016
Regrettably, I don’t think I have ever seen Fulks in concert, though I really need to. While he isn’t a songwriting factory like Ryan Adams (though brilliant a factory he is), Fulks is a great songwriter, and I am happy to see he continues to create. While most may not remember this, one of my favorite tunes is “F*ck This Town” chronicling his experience as a singer-songwriter in Nashville and their lack of appreciation of his talents. He was originally signed to Bloodshot early on, and left with great fanfare to a major label. After releasing one album on an unappreciative major label, he returned to Bloodshot and has never left.Read More
The Best of Tara Fuki
Indies Scope, 2015
At once classical and folk, Tara Fuki is a duo consisting of Andrea Konstankiewicz-Nazir and Dorota Barová, both conservatory-taught cellists. With almost two decades of success behind them, they have toured almost everywhere in Europe and have recorded five very successful albums. They have been so popular in album and tour that their latest release is a best of, a reminiscence rather than a milestone, and while not usually my hard and fast rule or my favorite way to experience music when I have the opportunity to hear an artist’s original intentions in context, this is quite good (And admittedly, I have violated that rule several times over with my nerdist’s completist box sets of several artists.).Read More
Piece of My Life
Deska Records, Indies Scope Distribution, 2015
Here we venture into musical territory that I need to explore more with a project influenced by Nine Inch Nails and Prodigy, so this review will be a challenge, but I like challenges and never run from them, though they may slow me down once in a while like this one does. This one’s a puzzle though because of my lack of exposure to more from this genre.Read More
Indies Scope Distribution, 2015
Frankly, as much as I am not dancing tango or anything else at the moment which is overdue, way overdue, even I will admit that dancing is good for your health and your soul, and in the case of Mydy Rabycad’s Glamtronic, dancing is contagious, even in a chair, if not mandatory, and at that, it should be. And even chair dancing may be impossible after a while as you are compelled to rise and move uncontrollably.
The combination is quite incredible and listenable, on repeat, which this album received several months back. And still, happily, this album is difficult to get out of my fertile imagination where dancers are flying and dancing with each other to infinite heights around me...Read More
Indies Scope, 2015
While it’s difficult to comment on lyrics sung in a language I don’t speak or understand (as it will be over the next few albums from a favorite European label, Indies Scope), I can comment on the melodies and the vocal impressions upon the musical moods and mine. The band and the album are new to me, but Čankišou’s Supay is evolutionary in ways that attract me to World Music and Rromani-influenced music in particular. While this isn’t Rromani specifically, the band and the label are Eastern European-based so the influence is probably there, and it is a nice and chaotic, musically cacophonic interlude.Read More
Offhensky & Pleq
A Thousand Fields
No matter the day, no matter the year, Infraction releases are always a pleasure to receive, like some natural herb electrified through years of necromancy. They are all ambient, ethereal and wonderful in every way, but; given that I am not as avid a follower of such mindfulness music as I should be (and I obviously should explore the genre), this review will be challenging.
After you listen a few times, you may be overcome with the feeling of free floating just above the surface of a freshly-rained wide open field where the forest dwellers have just emerged after a storm. Yes, it is quite peaceful. And while it will remain for you to discover your own field of sanctuary as you listen deeply, the music continues to seep through all of us, becoming part of us in tiny little ways. And for those of you who are not stricken with slight synesthesia as I am, enjoy the music without all of the imagery. You may not know what you are missing, but enjoy the music anyway.Read More