Newline Records 2009
Featuring the voice of Neil Patrick Harris
Featuring the music and lyrics of Michael McCuistion, Lolita Ritmanis, Kristopher Carter, Michael Jelenic, and James Tucker
Full disclosure: Most of you should know that I have a weakness for animation and cartoons as well as for musicals. Now you know. This episode and its soundtrack combine both in the best Josh Whedon style. He wasn’t involved but his influence can be strongly felt, and Neil Patrick Harris of Dr Horrible fame is prominently featured, and that makes this just delicious.
Reviews are something new for me and for Radio Casbah so this will be a continuing and evolving artistic exercise in honest writing and musical reviews. Bear with me as we grow together.
Self-Released 23 August 2011
It’s a Catch-22, more or less. You’re a buzz band that’s impressed the hipsters with an effective Publicity Machine. Or you’re an underground band that only a few are aware of, and those few tell as many of their friends as possible, and somehow, it’s still an open secret from the rest of the world. Where is the fine line that allows for the hipster dollars and the underground credibility for the true music fan? Rarely do we have both, and only a few friends have been able to do it: Regina Spektor, Kimya, Adam, and their Moldy Peaches, Elizabeth Harper and her Class Actress. Even Nicole Atkins. But then there are artists like Joie Dead Blonde Girlfriend, The Teenage Prayers, and Gloria Deluxe, brilliant musical creators, that cause me to shake my head and wonder why the rest of the world has not yet caught up to what the rest of us have always known.
Terminator 2 Judgment Day Original Motion Picture Soundtrack
Silva Screen Records 2010
Like any piece of classical music worth its weight in cartoons, a good soundtrack score will build to a crescendo and explode, sometimes slowly, sometimes accelerating like a car driver that can’t help a lead foot. Music has done that to all of us. Terminator 2 may not employ much more that a few instruments and a few computer programs, but when it comes to an effective piece of music, it all comes down to only one question. Does it do the job and does it convey the big ideas. With Brad Fiedel behind the controls, the answer is yes.
Sally Tomato’s Toy Room: A Rock Opera In Four Acts
Directed by Wesley J. Turner
Music by Sally Tomato And Carlos Severe Marcelin
Severe Enterprises 2010
Rock operas in the tradition of the Who’s Tommy are frequently attempted and translated into album format, and frequently they are watered down versions of a former classic, but few are as ambitious and introspective as Toy Room seems to be here. Few writers of any art ever dare to look so deeply into themselves and thrive enough to emerge as spiritually evolved as the character Sally seems to have done. Friends and colleagues have successfully attempted smaller personal projects to process and to heal, showing only a few friends or writing a song or two, but Toy Room, in the expanded form of a musical is something rarely seen and even more rarely attempted.
The Wicker Man (1973) OST
Music and Songs by Paul Giovanni
Silva Screen Records 2010
This is probably one of the last soundtrack’s anyone would expect to see under my name for a review.Besides being a classic 70’s horror film, it is also one of a few appearing under what is known as “Folk-Horror”.
It purports to be, at least on the surface, traditional.The Wicker Man is based on a David Pinner novel, but the pagan elements as the film, and probably the novel, would imply have no real basis in any extant historical accounts, other than the possible concept for the “Wicker Man” itself.But it makes for some pretty suspenseful and chilling filmmaking at a time that the British Film Industry was pretty desperate.